{"id":2202,"date":"2018-10-26T14:47:22","date_gmt":"2018-10-26T14:47:22","guid":{"rendered":"http:\/\/grupoanimacion.upv.es\/elcinedeperezarroyo\/?page_id=2202"},"modified":"2020-06-19T12:29:14","modified_gmt":"2020-06-19T12:29:14","slug":"35-mm","status":"publish","type":"page","link":"https:\/\/grupoanimacion.webs.upv.es\/elcinedeperezarroyo\/35-mm\/","title":{"rendered":"35 mm"},"content":{"rendered":"

[vc_row][vc_column][vc_custom_heading source=”post_title” font_container=”tag:h2|font_size:100|text_align:center” google_fonts=”font_family:Playfair%20Display%3Aregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:900%20bold%20regular%3A900%3Anormal” css_animation=”fadeInUp” css=”.vc_custom_1540546668914{padding-top: 10% !important;padding-bottom: 10% !important;}”][\/vc_column][\/vc_row][vc_row el_class=”responsive-banner-home1″][vc_column width=”1\/2″ css=”.vc_custom_1540634863109{padding-top: 20% !important;}”][vc_custom_heading heading_style=”heading_style_1″ text=”P\u00e9rez Arroyo en la
\ngran pantalla” use_theme_fonts=”yes” css=”.vc_custom_1540635274049{padding-left: 15% !important;}”][vc_row_inner el_class=”banner-home-1-2″][vc_column_inner][vc_single_image image=”2204″ img_size=”large” css=”.vc_custom_1550771093428{padding-top: 20% !important;}”][vc_custom_heading heading_style=”heading_style_2″ text=”Portada de la “Memoria de producci\u00f3n“ (Joaqu\u00edn P\u00e9rez Arroyo, 1944)” font_container=”tag:h6|text_align:right|color:%23000000″ google_fonts=”font_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:300%20light%20regular%3A300%3Anormal”][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1540635228793{padding-top: 60% !important;}”][vc_column_text css=”.vc_custom_1592569749353{padding-right: 15% !important;}”]La andadura cinematogr\u00e1fica del clan P\u00e9rez Arroyo para la gran pantalla se inici\u00f3 una vez acabada la Guerra Civil, en formato corto animado y abarcando piezas documentales (2), anuncios publicitarios (3) y cortometrajes (9). Lamentablemente, y en l\u00ednea con el resto de pel\u00edculas con soporte de nitrato, de toda esta producci\u00f3n tan solo han sobrevivido unos pocos ejemplos \u2014tres cortometrajes, fragmentos de alg\u00fan otro, una pieza documental y un anuncio\u2014 conservadas en distintas filmotecas. Metraje que recuperamos en esta secci\u00f3n articulada en torno a las distintas productoras para las que trabaj\u00f3 la familia.<\/p>\n

No cabe duda de que P\u00e9rez Arroyo, como muchos otros dibujantes de la edad de oro de la animaci\u00f3n espa\u00f1ola, empez\u00f3 en el dibujo animado aprovechando la coyuntura que a partir de 1941 propici\u00f3 la pol\u00edtica proteccionista y aut\u00e1rquica del R\u00e9gimen establecida tras la guerra a trav\u00e9s de varias \u00f3rdenes ministeriales. Nos referimos, por un lado, a la Orden del Ministerio de Industria y Comercio del 11 de noviembre de 1941 sobre la protecci\u00f3n del Estado a la Industria Cinematogr\u00e1fica y a la concesi\u00f3n del Cr\u00e9dito Sindical (del espect\u00e1culo) para la misma \u2014hasta de un 40 %, si era clasificada como de 1\u00aa A, en condiciones ventajosas\u2014. As\u00ed como a la Orden Ministerial del 18 de marzo de 1943 que establec\u00eda beneficios de importaci\u00f3n para aquellos productores de pel\u00edculas espa\u00f1olas \u2014era la exhibici\u00f3n de pel\u00edculas extranjeras en Espa\u00f1a la que generaba el verdadero r\u00e9dito a los productores\u2014. Siendo ambas \u00d3rdenes de sobra conocidas por P\u00e9rez Arroyo, como declara en su Memoria de producci\u00f3n<\/em> de septiembre de 1944.\u00a0 A estas habr\u00edamos de a\u00f1adir la Orden del 10 de diciembre de 1941 que estipulaba la obligatoriedad de exhibir cortometrajes espa\u00f1oles en todas la sesiones, as\u00ed como la instauraci\u00f3n de los premios anuales del Sindicato Nacional del Espect\u00e1culo.<\/p>\n

Pero, por otro lado, el mismo R\u00e9gimen que alentaba la producci\u00f3n propia, contradictoriamente, impon\u00eda la obligatoriedad del No-Do, a partir de enero de 1943, ocupando parte del lugar natural del metraje corto y anunciando el inicio del fin de la explotaci\u00f3n comercial de este formato. Es por ello que el grueso de la obra de ficci\u00f3n de P\u00e9rez Arroyo en 35 mm se circunscribe solo a los a\u00f1os 1942-1944.[\/vc_column_text][vc_row_inner el_class=”banner-home-1-2″][vc_column_inner width=”2\/6″][\/vc_column_inner][vc_column_inner width=”4\/6″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1550771129493{margin-top: 6% !important;padding-bottom: 10% !important;}”][vc_column width=”1\/3″]

\n
\n
\n \n \"Publicidad\n
\n
\n

Publicidad Levante<\/h1>\n <\/div>\n <\/div>\n <\/a>\n <\/div>\n<\/div> <\/div>\n [\/vc_column][vc_column width=”1\/3″]
\n
\n
\n \n \"Cifesa\"\n
\n
\n

Cifesa<\/h1>\n <\/div>\n <\/div>\n <\/a>\n <\/div>\n<\/div> <\/div>\n [\/vc_column][vc_column width=”1\/3″]
\n
\n
\n \n \"Passa\"\n
\n
\n

Passa<\/h1>\n <\/div>\n <\/div>\n <\/a>\n <\/div>\n<\/div> <\/div>\n [\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_custom_heading source=”post_title” font_container=”tag:h2|font_size:100|text_align:center” google_fonts=”font_family:Playfair%20Display%3Aregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:900%20bold%20regular%3A900%3Anormal” css_animation=”fadeInUp” css=”.vc_custom_1540546668914{padding-top: 10% !important;padding-bottom: 10% !important;}”][\/vc_column][\/vc_row][vc_row el_class=”responsive-banner-home1″][vc_column width=”1\/2″ css=”.vc_custom_1540634863109{padding-top: 20% !important;}”][vc_custom_heading heading_style=”heading_style_1″ text=”P\u00e9rez Arroyo en la gran pantalla” use_theme_fonts=”yes” css=”.vc_custom_1540635274049{padding-left: 15% !important;}”][vc_row_inner el_class=”banner-home-1-2″][vc_column_inner][vc_single_image image=”2204″ img_size=”large” css=”.vc_custom_1550771093428{padding-top: 20% !important;}”][vc_custom_heading heading_style=”heading_style_2″ text=”Portada de la “Memoria de producci\u00f3n“ (Joaqu\u00edn P\u00e9rez Arroyo, 1944)” font_container=”tag:h6|text_align:right|color:%23000000″ google_fonts=”font_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:300%20light%20regular%3A300%3Anormal”][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1540635228793{padding-top: 60% !important;}”][vc_column_text css=”.vc_custom_1592569749353{padding-right: 15% !important;}”]La andadura cinematogr\u00e1fica del […]<\/p>\n","protected":false},"author":4,"featured_media":1872,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2202","page","type-page","status-publish","has-post-thumbnail","hentry","clearfix"],"yoast_head":"\n35 mm - 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